Day: May 1, 2018

DVLA has once again laid down the challenge to pupils across Wales to work in teams and design a computer game, with the winning entries set to receive thousands of pounds worth of IT equipment for their schools or community centres.

The DVLA Code Challenge was first launched last year to promote Science, Technology Engineering and Mathematics (STEM) subjects and IT learning in primary schools and community centres in Wales.

Around 200 children and 150 adults attended the inaugural prize-giving event at DVLA’s digital theatre in Swansea last December, which saw state-of-the-art IT kit given out to teams from over 50 primary schools and community groups from all over Wales. Pupils unable to attend on the day also had the chance to take part in the day’s action via a live internet link, just as though they were there.

After the huge amount of interest last year, this year’s competition has been opened up to include 11 to 14 year-olds, meaning pupils from secondary schools can also showcase their skills and win fantastic IT prizes for their schools or community centres.

DVLA IT Manager and STEM Ambassador Mark Jones said:

The DVLA Code Challenge was so successful that schools and sponsors enquired straight away about how they could sign up to the next competition, so we’ve decided to do it all over again.

This year, we are adding a new age group and opening up the competition to children aged between 7 and 11, and 11 to 14. This means that we can include both primary and secondary school pupils.

By taking part in the challenge, budding programmers can develop their coding abilities in a fun and engaging way. The competition also aims to promote teamwork and communication – these are all increasingly vital skills in the workplaces of today and tomorrow.

There will be an award day on Tuesday 4 December with fantastic educational prizes, a prize draw for all entrants, feedback on the entries from expert judges and a celebrity host.

Full information, including details of how to enter the competition, is available on the DVLA Code Challenge website.

With two weeks to go until the deadline to submit applications, the RPA is continuing to encourage farmers to apply early to ensure their application is submitted in good time.

The RPA has received over 88% of applications online, as farmers continue to make the switch from paper forms.

Farming Minister George Eustice said:

It is good to see more farmers submitting their applications online, with over 31,000 received so far. Applying online makes it easier to check and update personal and business details, as well as view and transfer land and entitlements.

I would encourage the remaining farmers who have yet to submit their application to do so early and online, so that they can be certain the RPA will receive these ahead of the deadline.

Farmers and land managers need to submit their BPS applications in the next fortnight before midnight on 15 May, in order claim for their single farm payment for 2018.

Help and support for applicants is available through our online guidance, “How to” videos and by telephone. Further information can be found on here.

The RPA are getting a number of calls relating to Rural Payments service passwords.

Advice on resetting your password is available via the YouTube video below.

RPA YouTube channel.

Arts Minister Michael Ellis has placed a temporary export bar on An Academy by Lamplight by Joseph Wright to provide an opportunity to keep it in the country.

An Academy by Lamplight is one of the most ambitious and earliest paintings by Joseph Wright and is at risk of being exported from the UK unless a buyer can be found to match the asking price of £7,456,440.

Joseph Wright (1734 – 1797) was one of the most distinctive and gifted British painters of the eighteenth century. Nicknamed the ‘Painter of Light’ for the candle lit scenes he produced early in his career, Wright was a frequent contributor to the exhibitions of the Society of Artists, and to those of the Royal Academy. Wright’s works record the struggles of the development of science against traditional religious values during the age of enlightenment.

Wright’s works are most famous for his exceptional use of the chiaroscuro effect, which emphasises the contrast of light and dark. An Academy in Lamplight was probably completed in 1769 and is generally considered to be the the first of two versions of this subject. The other version of this work is now held at the Yale Centre for British Art in New Haven, USA.

Arts Minister Michael Ellis said:

Wright is one of the most preeminent painters of the Age of Enlightenment. His works help us to better understand the mix of religion and science in this period of huge industrial development. I hope that a buyer can be found to keep this extraordinary painting in the country so that it can be enjoyed by future generations.

The decision to defer the export licence follows a recommendation by the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest (RCEWA), administered by The Arts Council.

Art Historian and former RCEWA Member Philippa Glanville said:

Educating and enlightening young people was a constant theme in Wright’s paintings; in this vivid depiction of a drawing class, he has captured the varied responses of boys and youths to a female statue, typically bathed in light. Accurate observation and recording was an essential life skill, both for artisans and for privileged children, as these silk-clad youths appear to be. Wright, or his as yet unidentified patron, may have opted for this informal and youthful assemblage, in contrast to the newly formed Royal Academy, with its strict rules and age restrictions.

The RCEWA made its recommendation on the grounds of the paintings outstanding significance for the study of art education and its representation of the early history of the Society of Artists of Great Britain. The technical ability of the painter was also noted.

The decision on the export licence application for the painting will be deferred until 31 July 2018. This may be extended until 31 January 2019 if a serious intention to raise funds to purchase it is made at the recommended price of £7,456,440.

Offers from public bodies for less than the recommended price through the private treaty sale arrangements, where appropriate, may also be considered by Michael Ellis. Such purchases frequently offer substantial financial benefit to a public institution wishing to acquire the item.

Organisations or individuals interested in purchasing the painting should contact the RCEWA on 0845 300 6200.

An image of the painting can be downloaded via our flickr site.

ENDS

For media information contact:
Faye Jackson
Communications Officer
Department for Digital, Culture, Media and Sport
Tel: 0207 211 6263
Email: faye.jackson@culture.gov.uk

Notes to editors

1. Details of the painting are as follows:
   Joseph Wright of Derby, A.R.A. (Derby, 1734-1797)
   An Academy by Lamplight
   oil on canvas, 127 x 101.5 cm
2. Provenance: Probably Sir Francis Crossley, 1st Bt of Halifax (1817–1872), Belle Vue, Halifax, West Yorkshire; probably by inheritance to his widow Martha Eliza Crossley (c. 1821–1891), who, following her husband’s death, moved the contents of Belle Vue to Somerleyton Hall, Lowestoft, Suffolk; by descent to her son, Sir Savile Crossley, 2nd Bt and 1st Lord Somerleyton (1857–1935), at Somerleyton Hall; thence by direct descent.
3. The Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest is an independent body, serviced by The Arts Council, which advises the Secretary of State for Digital, Culture, Media and Sport on whether a cultural object, intended for export, is of national importance under specified criteria.
4. The Arts Council champions, develops and invests in artistic and cultural experiences that enrich people’s lives. It supports a range of activities across the arts, museums and libraries – from theatre to digital art, reading to dance, music to literature, and crafts to collections. www.artscouncil.org.uk.

The Charity Commission, the independent regulator of charities in England and Wales, has opened a statutory inquiry into Croydon Tabernacle (1070276). The inquiry was opened on 14 March 2018.

The charity’s objects include advancing the Christian faith, relieving people who are in conditions of vulnerability or hardship and promoting charitable purposes which might benefit the areas of Surrey, Greater London and other parts of the United Kingdom or the world.

The Commission examined the charity’s financial information and found cause for serious regulatory concern. This included substantial unexplained expenditure and potentially conflicted payments to people connected with the charity. As a result of its concerns, the Commission has frozen a bank account controlled by the charity.

The Commission has been engaging with the charity since November 2016 to examine its concerns; this included a meeting with the charity in February 2017. However the engagement did not resolve the regulatory concerns so a statutory inquiry has been opened.

The inquiry will examine the extent of risks to charity property and whether:

• there has been misconduct or mismanagement in the administration of the charity and/or breaches of trust or non-compliance with charity law
• potential conflicts of interest have been adequately identified or managed
• connected party payments or transactions have been properly authorised

It is the Commission’s policy, after it has concluded an inquiry, to publish a report detailing what issues the inquiry looked at, what actions were undertaken as part of the inquiry and what the outcomes were. Reports of previous inquiries by the Commission are available on GOV.UK.

Ends

Notes to editors

1. The Charity Commission is the regulator of charities in England and Wales. To find out more about our work see the about us page on GOV.UK.
2. Search for charities on our check charity tool.
3. Section 46 of the Charities Act 2011 gives the commission the power to institute inquiries. The opening of an inquiry gives the commission access to a range of investigative, protective and remedial legal powers.